Today’s post has been postponed until tomorrow.
Apologies for the delay.
Today’s post has been postponed until tomorrow.
Apologies for the delay.
I’m going to take the day/week off. Call it a mental health break.
There should still be a post Friday. I’m sure somebody will do something cute on camera between now and then.
Some traditions are easy to keep up. And this year has made one particular tradition easier than ever.
This is my eighth “State of the Fourth Estate” report*, and it is, per tradition, late. Only two weeks, which isn’t all that bad: in 2017, it was almost a month. That delay took real effort; this one was simple because there are so very few date references these days. Remembering whether it’s Monday or Thursday takes a conscious effort, and as for keeping track of the weeks and months, well, why bother? It’ll only depress you.
* The eighth report, but only my seventh year of writing. The first SotFE post came at the six-month mark.
That said, sheltering in place has been a great boon to my writing. I’ve made more progress on Draft Three of Demirep in the last three weeks than in the previous three months of squeezing it in around work. Prior to the lockdown, I was hoping to finish the draft and find beta readers around the end of the year. Now, assuming I can keep up my current pace for the rest of the Shelter in Place period, I could be starting the beta before baseball returns.
Which reminds me: it’s time for me to start thinking about the next project, since I’ll be working on that while the beta readers are doing their thing.
Anyway, I’m hoping that, once I go back to work, I’ll be able to keep some of the momentum on both projects. I’d love to have TBD go faster than Demirep has.
Meanwhile, Like Herding Cats continues to make the rounds of agents. Waiting for responses has always been one of the most frustrating parts of the writing business. It’s even worse now. “Agent X normally responds to all queries within six weeks. We’re at the two month mark. Is she running slow? Not reading queries because she, like so many others in every field, can’t concentrate? Maybe she did read it and I never got the response because her work-from-home setup has issues.”
Not surprisingly, writers are very good at creating speculative scenarios to account for normal variations in response times. These days, we could fill whole volumes with our panicked musings. Not that anyone would want to read them.
I wonder if I could get more–and more favorable–responses if I offered to send partial and full manuscripts printed on toilet paper. We’ve got a spare roll or two, and I could probably find a continuous feed printer fairly cheaply. Hmm. Probably not, considering current feelings about things people have touched.
As always, thanks for hanging around and reading what I write.
Onward into Year Eight!
Because the World Series is going to Game Seven, this Wednesday’s post will be delayed until Thursday.
Hopefully this will not inconvenience you in any way.
I try to get the Tuesday and Thursday blog posts up around 9:30 or 10:00. You may have noticed that this one is late. You may also have noticed that it’s not the first one to be late over the past several months.
There are a number of reasons for the recurrent delays, but the big one is time.
Let me be clear here: I have plenty of time for writing. The catch is that it mostly comes in small chunks–half an hour here, an hour there–on an irregular basis.
I’m fortunate. I can write just about anywhere. I don’t need any particular conditions, as long as there’s room to set up my computer (or, as at present, when I’m doing a pen-and-paper rewrite, my clipboard). I don’t need specific kinds of music or lighting, and I don’t have any writing rituals that can’t be performed in public.
That flexibility is great. But. What I don’t have is much control. I like routines, especially when it comes to writing. They help me be productive as soon as I sit down to work. Without the organization, it can take me ten or fifteen minutes to get my brain into writing mode and producing words that I don’t immediately erase.
If I’ve got three or four hours, fifteen minutes isn’t a big deal. It is important if all I’ve got is half an hour. In a normal week, I may get two four hour blocks of time I can devote to writing.
An additional data point: a typical blog post takes me around three hours to write.
I think you can see where I’m going.
If I spend my large blocks of writing time on blog posts, I don’t get much novel writing done. And if I dedicate the time to novels, the blogs are late, uninteresting, or poorly written–or worse, some combination of all three.
So I’m taking control and changing things to allow me to establish some routines. Agency! (It’s good practice for letting my characters show some agency of their own, right? Right.)
A historical digression: when I started this blog, I wrote five posts a week. Amazing what you can do when you can set your own schedule and establish your own routines. Then, six months in, I cut back to two posts a week, not counting the Friday Critter Posts. That change was specifically to give me more time for the novels-then-in-progress.
So there’s precedent for what I’m announcing today.
Effective immediately, I’ll be posting twice a week. Friday Critter Posts will continue unchanged, but the non-critter posts will be limited to Wednesdays. (Well, this week you get your post on Tuesday–late–to smooth the transition.) Nor am I going to stress out about the timing. If it’s Wednesday morning, great. Wednesday evening, fine. Tuesday? Sure, why not? Thursday? Okay. It’s all mid-week and everything is awesome.
And with this change in place, I can finally finish rewriting Chapter 15 of Demirep and move on to Chapter 16, where Things Happen. (Yes, Smartipants, Things Happen in Chapter 15 too, but Fifteen is low-key, catch-your-breath time, before my protagonist takes charge of her destiny in Sixteen.)
See you all Friday.
Due to circumstances beyond my control, there will be no post on Tuesday the 2nd. And no, this has nothing to do with April Fools Day.
See you Thursday.
And here we are again. Tradition must be honored, and since the tradition is that the “State of the Fourth Estate” post shall be late…This is, by the by, a tradition I find it annoyingly easy to follow–which is why one should always consider the ramifications before establishing a tradition.
(All mutterings about not quitting day jobs will be cheerfully ignored. But remember kids: don’t try this at home.)
My thousandth blog post has come and gone. Contrary to what I predicted last March, it wasn’t greeted with celebration, modest or otherwise. The truth is, I didn’t even notice. But let’s be honest: my ramblings about Microsoft’s semi-nefarious designs on your hard drive space probably aren’t on anyone’s list of their favorite blog posts. I enjoyed writing it, which is the main point–this blog is where I try out ideas and techniques as well as give myself a break from the novels that get most of my writing time–and I think it turned out well. But I’d be the first to admit it’s not champagne-worthy.
This post is Number 1031. Assuming I average around 500 words per post, that means the blog has about six novels’ worth of prose. Or, allowing for multiple drafts, one readable novel. I think I’ll halt that line of speculation before it goes downhill.
Speaking of novels, in a break with tradition, I don’t have one in beta at the moment. Like Herding Cats is finished and is making the rounds of agents*. The next book, Demirep, is about halfway through the second draft.
* Though, as readers of my newsletter can tell you–but why should they, when you can subscribe to it yourself–my querying is currently on hold while I rework the query letter.
Of course, the biggest news of the year was about my acquisition of a new day job. To answer the obvious question first, yes, it does mean that work on Demirep is going more slowly than before I started dividing my attention.
On the other hand, the rewriting is going faster than it would if we had run out of money for Kitty Krunchiez and I was trying to write while fending off small, fuzzy carnivores with designs on my fingers.
Life’s a series of trade-offs that way.
And–insert usual disclaimer about unexpected events here–Demirep should still be ready for beta readers in a few months. Editors and agents aren’t the only ones responsible for the notoriously slow nature of the publishing industry. Fair’s fair.
As usual, once Demirep goes out to beta readers, I’ll be starting a new project. I don’t know what it’ll be. As usual, my ideas folder has several promising entries. Whichever one does the best job of grabbing my attention when the time comes will get the nod.
That’s one of the joys of not having signed a contract for a series. Mind you, I’d love to experience the joys of having a series contract, but one thing at a time.
And right now, that one thing is Writing Year Seven.
Hi, folks. I’m back from vacation and getting caught up on what’s been going on while I was gone. Thanks to all of you for playing nice. I’ll be going through the accumulated spam comments shortly after I post this, and then catching up on the real comments.
Also, due to the timing of my vacation, there won’t be a snarky recap of Apple’s WWDC this year. If you feel the lack, you can re-read last year’s. Based on what I’ve seen of the mainstream coverage, not much has changed.
Sedalia was, as expected, hot and humid. Despite that, the Scott Joplin International Ragtime Festival was successful. The music was good—not that I expected otherwise–and this happened. I’ll have more to say about that next week. And on a more personal note, I did sell most of the copies of The RagTime Traveler I brought, and even signed a few.
I wouldn’t be so crass as to post my recordings from the festival. Those are for my personal enjoyment–and, while I support the musicians by buying CDs, I couldn’t force anyone who watched the videos to do likewise.
But not everyone is so conscious of the artists’ wishes. As usual, a YouTube search for “Sedalia Ragtime” or “Joplin Ragtime Festival” will turn up samples.
That does raise an interesting point, however.
Most of what’s been posted from this year’s festival so far has been from one group, the Holland-Coots Jazz Quintet. Which, as their name states, isn’t actually a ragtime ensemble.
Programming the festival is a balancing act. Purists would prefer three days of nothing but ragtime. But the general public’s reception of that would be dire. Not a good thing when you’re trying to expand your audience. So the organizers experiment, bringing in some performers who aren’t ragtime, but broaden the potential audience of the festival. The Quintet was one of this year’s experiments, and they were justly popular. Except among those who want all ragtime, all the time, of course.
Unfortunately, budget constraints made for a smaller festival this year. That always makes for trouble; this year, IMNSHO, it meant an imbalance in acts with ragtime sometimes feeling like an afterthought. The organizers are well aware of the issue–the “Holland” in the Quintet’s name is Brian Holland, who also happens to be the festival’s Musical Director–and will, I’m sure, lean back the other way next year.
Don’t get me wrong: I enjoyed the heck out of all of the performers, ragtime or otherwise, and my CD purchases included the Quintet’s offering.
But if you attended the festival for the first time, or are looking at online videos and considering attending in the future–and you should–be aware that the contents of this particular cereal box have settled. It still contains a full serving of ragtime–nothing says you have to eat all of the side dishes.
Post? What? Oh, yeah, it is Thursday, isn’t it?
Sorry. I’m about to send the main character of my current Work in Progress–let’s call them “Peeby”–off on a quest straight out of their least favorite fairy tales.
After I finish screwing up their life again, just as they thought they was getting it under control*.
* No, I’m still not happy about “they/them” as a singular pronoun, but Peeby insisted. Darn uppity characters.
Because that’s what writers do. See, there’s a school of writing that says when you don’t know what happens next, ask yourself “What’s the worst thing that could happen?” and then do it. I don’t usually follow that advice literally, but this time I am. It’s amazingly cathartic, but I suspect it’s taking me down several paths that’ll get cut in the next draft.
But I digress.
Anyway, Peeby’s about to go on a quest. Literally. One of those “Find these things, and I’ll make you ruler of the world,” deals. Of course, they is all “I don’t care what that damned song says, I don’t want to rule the world.” But they doesn’t have a choice because, hey, “worst thing,” right?
The problem with quests, though, is they need an object. Or, in this case, a set of objects. Three to be precise.
Why three? Well, as I’ve said before, I generally subscribe to the “Rule of Three” in my work. And in this case, it makes sense in the context of the story because–well, I’ll save that for another time.
I’ve got three targets for Peeby, but at the moment it’s a Three Bears’ Porridge set of objects. One is just right, but one is more video game than fairy tale, and one is clichéd and boring.
I can work with the video game one. In context, it even makes some sense.
But boring is death and cliché is eternal damnation.
The destination shapes the journey–very literally in the case of a fairy tale quest. I can’t send poor Peeby off on a quest for something that’s going to get written out of the book before they finds it. I need a replacement before they sets out, and so I’ve been on an extended ramble around the Web in search of a quest object.
Yes, I’m fully aware of how meta that is. Questing for a quest. Ha ha.
And that’s why I’d forgotten it was Thursday, and thus had to subject you to my ramblings on the creative process.
It’s all Peeby’s fault for not wanting to rule the world.
In the latest blog tradition, the annual “State of the Fourth Estate” post is late. Strictly speaking, it should have gone up on Sunday or, since I don’t do weekend posts, last Thursday. But the Facebook contretemps seemed likely to have wider appeal, so here we are. At least I’m closer than last year, when I didn’t get around to the SotFE post until mid-April.
Nothing much has changed on the blog. This is Post 883; on my current posting schedule, that should have the largely-meaningless, but oh-so-round-numbered Post 1000 sometime between Thanksgiving and Christmas. No doubt, I’ll observe the occasion with some modest celebration.
As usual, the stats don’t include post read on the main page of the blog, through the RSS feed, or via email. So it’s possible TRTT is actually doing better than pickled cabbage. Unlikely, perhaps, but possible.
Speaking of email, it was around this time last year that I set up my newsletter. My thanks to those of you who have subscribed. You may be wondering why you haven’t gotten one lately. Well, it’s a newsletter, and there really hasn’t been any news about my career. No new book sales (or short story sales), no planned signings. So, rather than continue to send out a monthly “Hey, there’s nothing going on!” message, I decided to put it on hiatus until there’s something worth sharing.
What might be worth sharing? Well, selling a book certainly would. Finishing one probably would. And that might happen soon*.
* In the publishing world, “soon” is the equivalent of the software industry’s “Real Soon Now”. Nine characters shorter, because electrons are cheaper than ink and paper. They both translate as “I don’t know when, but it’ll almost certainly happen.”
Like Herding Cats is in beta. Yes, I know I said that back in November. I’m still waiting on one beta reader, for reasons that are nobody’s business but theirs. I understand, and I think the feedback will be worth waiting for. And, once I get it, barring a major surprise, the rewrite shouldn’t take more than a month or two. At which point that will be a finished book.
And, while I wait, I’m not sitting around twiddling my thumbs. I’m working on the first draft of a completely different book. Well, it’s also urban fantasy, so it’s not totally unrelated, but the location, time period, characters, and plot of Demirep* have nothing in common with LHC. I’m about 50,000 words in–about two-thirds of the way, since my first drafts tend to run short–and the plot is mostly in focus, and I’ve got a vague idea of where the ending will be. That’s actually more than I usually know at this point in the first draft. Even better, I’m keeping up with my daily target of 1,000 words more often than not.
* Or maybe “Demi-Rep”. Worrying about punctuation in a working title isn’t even on my to-do list.
So what happens if I finish the first draft of Demirep before I get the last beta report on Like Herding Cats? I won’t. No, really, it won’t happen. But, just in case it does, I’ve got, uh, hang on a second…five concepts in my “Possibilities” folder. I won’t be bored, or run out of things to write if it happens. Which it won’t.
Onward into Writing Year Six.