Let’s talk about Ralph Breaks the Internet (to be referred to as RBtI henceforward, ’cause, you know, lazy.)
As usual when I talk movies, there are going to be spoilers. Don’t want to see the spoilers? Stop reading now and come back after you see the movie.
And, not to spoil the post, I am recommending it. Yes, you need a good high-level grasp of popular culture and internet practices. If you don’t see the humor in Disney princesses discussing their own tropes, this isn’t your movie. Nor is it your movie if you haven’t rolled your eyes at your favorite search engine’s attempts to guess what you’re about to ask it.
If you don’t have a favorite search engine, this is really not your movie.
You don’t need to have seen Wreck-It Ralph to enjoy RBtI, but it will help. There’s a fair amount of world building in the first movie that the second film simply takes for granted. But with a few exceptions, I suspect you won’t be considering RBtI at all if you haven’t seen W-IR.
So yes, it’s good. The jokes are mostly on point, and the pace is fast enough that when one joke does miss, there’s another one coming right behind it. There are plenty of cameos, background gags, and audio jokes to keep you entertained when the main story drags. Which it does a couple of times.
The Disney princesses are a high point in both of their appearances, and I loved the big race scene.
Sure, there are a few things I could quibble about–an eBay with no snipers? Nah! The biggest curb I tripped over, though, is the way the monetary thing was handled. I can live with the idea that BuzzzTube lets you directly convert likes to dollars. It wouldn’t work in the real world, but we’re aiming at kids, so okay, I suspend my disbelief. Where I fall down is on the exchange rate. Ralph’s first video racks up, if memory serves, about a million and a half likes, giving him a balance of $43. That’s a weird ratio. But if we take that as given, the numbers just don’t add up later. Sure, we don’t see all the videos he makes, but the ones we do see show similar like counts. Counting on my fingers, that suggests Ralph had to make something upward of 600 videos. And collect the necessary views in a limited (and apparently rapidly changing) amount of time.
That “spung” sound you just heard was the spring in my suspension of disbelief punching through the cylinder.
But it’s still a quibble, not a major flaw.
RBtI had a couple of significant missed opportunities. (This is the point where you should leave if you don’t want to see me wearing my writer hat.)
Remember how the first movie was Vanellope’s film? Sure, it had Ralph’s name on it, but the heart of the movie was Vanellope coming to terms with her glitch. W-IR got a lot of kudos for the way it handled that part of the story. Along comes RBtI, and that all goes out the window. Vanellope uses the glitch twice (once to evade capture, once to cheat in the big race). Then it blows up on her, taking down “Slaughter Race”. But the solution is just to reboot the server–it’s got nothing to do with Vanellope or what she’s learned during the course of the film.
Sure, this was Ralph’s film–his chance to grow–but it shouldn’t come solely at the expense of the other characters.
I don’t have a solution to this one, but then, I’ve only been thinking about it for a couple of days. The film’s writers had four years (I gather there wasn’t much discussion about possible directions for a sequel until 2014.)
The other missed opportunity is smaller and easier to solve. Vanellope’s “princess song”. Okay, yes, it was a great bit. Gosh, she really is a Disney Princess. I laughed as much as anyone else in the theater.
That song just didn’t work stylistically. Vanellope is caught between “Slaughter Race” and “Sugar Rush” and her song ought to reflect that in the musical as well as the lyrics. Sure, start it off with the stereotypical Disney Princess song and get your laugh. But then give us a nod to the “Sugar Rush” track from W-IR–even just a line or two–and then slide into a verse done as something you might find on the “Slaughter Race” soundtrack. Metal. Hip-Hop. Reggaeton. Something with a serious bite. Come back to the Disney Princess song at the end if you have to, but give us that explicit link to Vanellope’s past and future.
Okay, hat off.
The bottom line? Ralph Breaks the Internet: good, but not as good as it could have been.