Hi, folks. I’m back from vacation and getting caught up on what’s been going on while I was gone. Thanks to all of you for playing nice. I’ll be going through the accumulated spam comments shortly after I post this, and then catching up on the real comments.
Also, due to the timing of my vacation, there won’t be a snarky recap of Apple’s WWDC this year. If you feel the lack, you can re-read last year’s. Based on what I’ve seen of the mainstream coverage, not much has changed.
Sedalia was, as expected, hot and humid. Despite that, the Scott Joplin International Ragtime Festival was successful. The music was good—not that I expected otherwise–and this happened. I’ll have more to say about that next week. And on a more personal note, I did sell most of the copies of The RagTime Traveler I brought, and even signed a few.
I wouldn’t be so crass as to post my recordings from the festival. Those are for my personal enjoyment–and, while I support the musicians by buying CDs, I couldn’t force anyone who watched the videos to do likewise.
But not everyone is so conscious of the artists’ wishes. As usual, a YouTube search for “Sedalia Ragtime” or “Joplin Ragtime Festival” will turn up samples.
That does raise an interesting point, however.
Most of what’s been posted from this year’s festival so far has been from one group, the Holland-Coots Jazz Quintet. Which, as their name states, isn’t actually a ragtime ensemble.
Programming the festival is a balancing act. Purists would prefer three days of nothing but ragtime. But the general public’s reception of that would be dire. Not a good thing when you’re trying to expand your audience. So the organizers experiment, bringing in some performers who aren’t ragtime, but broaden the potential audience of the festival. The Quintet was one of this year’s experiments, and they were justly popular. Except among those who want all ragtime, all the time, of course.
Unfortunately, budget constraints made for a smaller festival this year. That always makes for trouble; this year, IMNSHO, it meant an imbalance in acts with ragtime sometimes feeling like an afterthought. The organizers are well aware of the issue–the “Holland” in the Quintet’s name is Brian Holland, who also happens to be the festival’s Musical Director–and will, I’m sure, lean back the other way next year.
Don’t get me wrong: I enjoyed the heck out of all of the performers, ragtime or otherwise, and my CD purchases included the Quintet’s offering.
But if you attended the festival for the first time, or are looking at online videos and considering attending in the future–and you should–be aware that the contents of this particular cereal box have settled. It still contains a full serving of ragtime–nothing says you have to eat all of the side dishes.