I’m a pantser.
No, no, not that. Get your minds out of elementary school.
There are two approaches to writing, at least when it comes to fiction: Pantsers and Plotters.
Plotters plan their books in excruciating detail. Before they write one word of the story, they’ve created backstories for all the characters; outlined the entire plot, chapter by chapter; and know the final word count–within reasonable limits, of course, say plus or minus 250 words. Pantsers have no idea where they’re going; they just start writing.
That’s a generalization, of course, and like all such, it’s only semi-accurate. Most writers will admit that it’s more of a spectrum than a dichotomy. But more often than not, they’ll still place themselves at one or the other end of the spectrum.
So, yeah, I’m up there at the “pantser” end. I do plan. But rarely more than a chapter ahead. Usually as I approach the end of a chapter, I start to get some hints about what’s going to happen in the next one.
But not always, and that’s a problem. Like this: My daily goal for first drafts is 500 words. I don’t expect them to be good words, and I don’t get upset if I write less. It’s just a way to remind myself that words need to hit the virtual page. Those of you who know about my obsessive counting behavior may be surprised to hear that I don’t track my daily word count. I just check it at the end of the day and pat myself on the back if I’ve met my goal.
That said, some things are memorable. My best day ever was 3,300 words. Of course, the next day I only managed 450–quite possibly the worst day in which I actually got any words written. That may be why I don’t feel compelled to track the daily results: even my subconscious knows that it all averages out.
But back to the main thread. This week has been unusually productive so far: 1,200 words on Monday, 1,400 Tuesday, and 1,500 Wednesday. Each of those has been my best day since October.
Which is great and all, but it is a problem because the week isn’t over. If today or Friday–or, worse yet, both–continue the trend, I’m going to hit the end of my current plan by the end of the week.
And I have no idea what’s going to happen next.
That means I’m facing an indeterminate period of staring at the screen and nagging my characters to do something. I’ll probably have to force them to do something stupid–something they’ll hate me for and that I know will be cut in a later draft because it’s totally out of character for them–just to get the action rolling again.
But while progress on The As-Yet-Nameless Project is about to stop, The RagTime Traveler continues to move ahead.
Back in December I said “Reviews are critical to a book’s success”? In particular, professional reviews are what bookstores and libraries use in deciding what books to buy. And TRTT just got its first professional review.
Kirkus Reviews is one of the major sources of reviews* used by booksellers and librarians. A good review there can only help.
* Per the New York Times, the others are Publishers Weekly, Booklist, and Library Journal.
And yes, it’s a good review. They say it’s “…filled with warmth and wonder and interesting music trivia…”
Ahh… Makes me feel all warm and fuzzy. Suddenly, I’m less perturbed by Nameless’ approaching dead end.